The Book of the Damned-you know this thing is no darn good. But before that, there is much trouble caused by a grim little objet called The Dark Hold, a.k.a. Their finest moment occurs late in the film, a moment of bittersweet romantic reckoning for both of them. That’s not the chief preoccupation of Doctor Strange in The Multiverse of Madness, but it sets the stage for the movie’s best scenes, the ones in which Cumberbatch and McAdams, both charming and perceptive performers, get to interact with one another as human beings rather than as place markers in front of a green screen. Maybe, in another universe, he can get her back? With his acerbic temperament, and his unwieldy ambitions, he’s lost her. In the universe in which T he Multiverse of Madness opens, Stephen Strange must watch his sometime girlfriend, Christine Palmer (Rachel McAdams), walk down the aisle to marry another guy. Who knew? Thusly, there are many different iterations of Doctor Strange, all of them decked out in the trademark sentient red cloak, but not all of them nice. This time, our surgeon-turned-superhero learns-from an encounter with America, whom he must save from a massive one eyed-octopus who has dropped from nowhere onto the streets of New York-that there’s not just one universe, the one we currently live in, but many. Again, he plays the character with one eyebrow perpetually arched, as it should be. Stephen Strange, a flawed superhero who often does the wrong thing for the right reasons, is again played, as in the 2016 movie preceding this one, by Benedict Cumberbatch. And even in the midst of its typically (for Marvel movies) convoluted plot, The Multiverse of Madness has a Raimi-like sense of bleak humor: Dr.
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